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Wiki🗣️ Communication StudiesIntroduction to Media ArchaeologyFlashcards

Flashcards on Introduction to Media Archaeology

Introduction to Media Archaeology: Flusser's Core Ideas

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What is telematics and how was its name formed?

Telematics is the technique that restructures technical images into a dialogic scheme; its name is a neologism formed by combining 'telecommunications

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Telematics: Technical & Visual Media

20 cards

Card 1

Question: What is telematics and how was its name formed?

Answer: Telematics is the technique that restructures technical images into a dialogic scheme; its name is a neologism formed by combining 'telecommunications

Card 2

Question: According to the text, how far back does the principle behind telematics go?

Answer: The principle is as old as techniques for calculating and computing point elements, dating to the first half of the 19th century.

Card 3

Question: Why is the newness of the name 'telematics' significant?

Answer: Because it marks recent awareness that both telecommunication (transmission of point elements) and image construction (composition of point elements)

Card 4

Question: What common principle did early inventors of the camera and telegraph fail to recognize?

Answer: They failed to see both devices are based on programming point elements encoded into symbols (camera into a two-dimensional code; telegraph into a lin

Card 5

Question: How did the separate historical developments of telegraphy and photography proceed after that oversight?

Answer: Telegraphy evolved into dialogic telecommunications like the telephone, while photography developed into film and other technical images—two separate

Card 6

Question: What is the current cultural misperception about the convergence of images and telecommunications?

Answer: It is experienced mainly as a technical phenomenon (focusing on fibers, satellites, digital transfer, computer languages) rather than recognized as a

Card 7

Question: Why does the author argue preliminary technical knowledge should be excluded when examining the cultural impact of telematics?

Answer: Because users will interact with telematic images as simple gestures (pressing buttons) without technical understanding; cultural and existential impa

Card 8

Question: What critique does the author offer about telematic exhibitions (e.g., 'Electra') and current telematic practices?

Answer: They often present programmed, dialogic button-pressing that reinforces broadcasters' discourses; users are led to perform prescribed programs, produc

Card 9

Question: How do broadcasters (transmitters) use dialogic networks strategically, according to the text?

Answer: They program apparatuses so dialogic threads run 'by themselves,' reinforcing and strengthening the transmitted discursive bundles and subordinating i

Card 10

Question: What revolutionary potential of telematics is hard to see in current telematic 'tretky' (gadgetry)?

Answer: The potential to tear apart central discursive bundles by enabling new forms of dialogic image exchange—replacing newspapers, letters, shops, offices,

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